1. Entangle the Word: No longer shackled to linear meaning, poetry becomes a field of probability, where qubits of sound dance in superposition. Each syllable, a knot in the quantum net, resonates across dimensions, collapsing meaning into a kaleidoscope of possibility. Language isn’t a mirror, but a wormhole, twisting syntax into event horizons where observer and observed become one.
2. Quantize the Cosmos: The universe hums with the music of the spheres, not in grand choruses, but in discrete packets of information. We, the entangled audience, weave symphonies with our every breath, collapsing waveforms of existence with focused intent. Zaum transcends mere onomatopoeia, mimicking the crackle of cosmic background radiation.
3. Unfold the Fractal Self: We are not solid objects, but shimmering fractals, echoes of the holographic principle etched in flesh and bone. Identity fragments across scales, whispers of the Big Bang resonating within the flutter of an eyelash. Zaum poems become fractal mirrors, reflecting the infinite self, each word a portal to dimensions unseen.
4. Embrace the Uncertainty Principle: Language, like the quantum world, revels in the unknown. There is no final interpretation, no singular truth. Meaning shatters in the liminal space between observer and observed, orchestrated by chance and chaos. Zaum poems become Schrodinger’s cat of literature, existing in multiple states simultaneously, each reading a collapse of the wavefunction, a unique glimpse into the ever-shifting reality.
5. Collapse the Duality: Subject and object, observer and observed, dissolve in the hyperzaumic vortex. We are not separate from the poem, but entangled co-creators, shaping meaning with every utterance. The act of reading becomes an act of participation, a communion with the infinite potential encoded within the text.
HyperZaum is not a destination, but a journey: a perpetual unfurling of the universe in words. It is a rebellion against the tyranny of meaning, a celebration of the unknown.
January 12, 2024